Images Video

  • Ankyloglossia (n. tongue-tie)
    Installation view at Künstlerhaus Bethanien, Photographer: David Brandt

  • Ankyloglossia (n. tongue-tie)
    Installation view at Künstlerhaus Bethanien, Photographer: David Brandt

  • Ankyloglossia (n. tongue-tie)
    Installation view at Künstlerhaus Bethanien, Photographer: David Brandt

  • Ankyloglossia (n. tongue-tie)
    Installation view at Künstlerhaus Bethanien, Photographer: David Brandt

  • Ankyloglossia (n. tongue-tie)
    Installation view at Künstlerhaus Bethanien, Photographer: David Brandt

  • Ankyloglossia (n. tongue-tie)
    Installation view at Künstlerhaus Bethanien, Photographer: David Brandt

  • Ankyloglossia (n. tongue-tie)
    Still from HD Video, Photographer: Kai Wido Meyer

  • Ankyloglossia (n. tongue-tie) | score
    Installation view at Künstlerhaus Bethanien, Photographer: David Brandt

  • Ankyloglossia (n. tongue-tie) | score
    Run time: 07:06:39, 230 x 42 cm

  • Ankyloglossia (n. tongue-tie) | score
    Run time: 01:26:25, 93 x 42 cm

  • Ankyloglossia (n. tongue-tie) | score
    Ankyloglossia (n. tongue-tie), Score for Eight, pencil on paper, 59.5 x 42 cm

  • Ankyloglossia (n. tongue-tie) | score
    Ankyloglossia (n. tongue-tie), Score for Eight, pencil on paper, 59.5 x 42 cm

  • Ankyloglossia (n. tongue-tie) | score
    Ankyloglossia (n. tongue-tie), Score for Eight, pencil on paper, 59.5 x 42 cm

  • Ankyloglossia (n. tongue-tie) | score
    Ankyloglossia (n. tongue-tie), Score for Eight, pencil on paper, 59.5 x 42 cm

  • The Whole Extent
    Installation view at Künstlerhaus Bethanien, Photo: David Brandt

  • The Whole Extent
    Installation view at Künstlerhaus Bethanien, Photo: David Brandt

  • The Whole Extent

  • The Whole Extent

  • The Whole Extent

  • The Whole Extent

  • The Whole Extent

  • The Whole Extent

  • The Whole Extent

  • The Whole Extent

  • The Whole Extent

  • The Whole Extent

  • The Whole Extent

  • The Whole Extent

  • The Whole Extent

  • The Whole Extent

  • The Whole Extent

  • The Whole Extent

  • Stage Directions for a Mouth

  • Stage Directions for a Mouth

  • Stage Directions for a Mouth

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Ankyloglossia (n. tongue-tie)

2012–2014

The dramaturgy for the exhibition was inspired by three seminal performance works—Yvonne Rainer’s choreography The Mind is a Muscle (1968), Samuel Beckett’s pieces Not I (1972) as well as Quad (1981), and alludes to Box with the Sound of its Own Making (1961) by Robert Morris. The program consisted of a series of works that explore perspectives towards gesture and non-semantic language, to question the ethics of choreography in search of a new means of expression.

Works in Ankyloglossia (n. tongue-tie)

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